by Richie Unterberger Recorded at the peak of Davis' brief stardom, this emphasizes the weepy country-pop that gave her a number two pop hit with the title track. Nothing here measures up to that wonderful smash, but it's tasteful enough period Nashville country, with producers Anita Kerr and Chet Atkins ensuring that the LP measured up to state-of-the-art country-pop production by double-tracking Davis' vocals against a background of strings and lazy barroom piano runs. They did let her loose on Little Eva's "Keep Your Hands Off My Baby," which is replete with primitive fuzzy guitar. Though it may sound enticing, the result is actually kind of lousy and ill-fitting.